OVERTONE CHANTING
(also sometimes called overtone singing, overtoning,
harmonic singing, harmonic chanting, khöömii, höömii and throat singing)
(see also : Overtone Chanting CD or Tape, Overtone Chanting Workshop)
 
  Sun Audio (.au) 9 seconds Real Audio (.rm) 26 seconds
 
Overtone chanting makes
audible the natural harmonic
spectrum of the voice in its
pure rainbow colours,
so that unearthly, angelic
and bell-like tones are heard
floating above the deep voices
of the chanters.
 
It is a form of chanting on one note
where the partials- constituent parts
(overtones or harmonics) are selectively
amplified by changing the shape of the
resonant cavities of the mouth, larynx and pharynx. These notes are always present in any note, but while they colour the note and give it its quality they are usually inaudible.
 
This is a form of chanting traditionally found only in Central Asia - in Mongolia, Tuva and Tibet. In Mongolia and Tuva (Siberia), it is called khöömii (khoomei, höömii or xöömii) which means throat singing. In Tibet, in a few Tantric Colleges only, it is done by the monks as part of ceremonial practice.
 
One form of it was first introduced into the West by Karlheinz Stockhausen in his piece Stimmung, first performed in December 1968.
 
Since working with Stockhausen between 1971-1974 and with the chantmaster of the Gyutö Tibetan Monastery and Tantric College and later with a Mongolian khöömii master, Jill Purce introduced overtone chanting workshops into the west and has taught many thousands of people all over the world as part of an larger awareness of the voice as a spiritual, meditative and healing tool that all of us possess, but most no longer use.